It is 1819.
Owen Wedgewood is the household cook whose rich employer has just been
shot point-blank by the red-headed pirate captain Mad Hannah Mabbot. Mad Hannah happens to taste Owen’s food
and decides to drag him captive back to her ship. His culinary skills are tested to the limit when Mad Hannah
tells him he must cook for his life, making her a fantastic meal every Sunday
evening or… (finger across throat)
Just what is Owen up against? He has to work with flour infested with weevils, horse meat,
and hardly any spices to speak of.
How he collects more appropriate supplies and makes ingenious use of
what he has is one part of the enjoyment of this book. Another part, surprisingly enough, is
the description of the cooking; somehow the author infuses it with a passion
that is almost sensual. A third
part is how the relationship between this temperamental chef and his captor
progresses.
The larger historical context of the story is depicted very
well and we discover that Mad Hannah’s piracy amounts to economic sabotage
aimed at the tea traders as protest for their policies of enslaving the orient
in drug addiction to opium.
The book is surprisingly clean, although it has brief
mentions of prostitution, bestiality, homosexuality, and fornication. Such is probably to be expected
in a story featuring life on a pirate ship, and I am only grateful that it
wasn’t worse, as much as I dislike such.
It seems as if once Owen and Mad Hannah reach a romantic
understanding, the energy of the cooking descriptions and the narrative falls
off, although it is probably because the character has Mad Hannah to care about
in addition to cooking for her.
Still, as a reader it felt like the author’s main goal was to get them
together and then didn’t know what to do afterward. The story was there, but as a reader I just didn’t care
as much. I wish I did, though.
I was a bit disappointed by the ending. It left me with a “What? That’s it?” feeling, although it was probably
the best ending that could be expected with when Mad Hannah’s driving motives
are met or removed. Still, it left
me what the impression that the romance was a fling, rather than love. Mad Hannah deserved better, considering
her deep concern for her lost family pushes her to such lengths in the story.
I will keep an eye out for more books by Eli Brown, though.
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